Conservation and Documentation of the Wall Paintings at Red Monastery, Conservation and Documentation of St. Anthony Wall Paintings, Historic Cairo Architectural Mapping, Coptic Icons Documentation
South wall of the imeperial cult chamber after conservation
Location:
Luxor, Egypt
Time Period:
Tetrarchy, Late Roman Period, and New Kingdom
Topic:
Diocletian, Emperor of Rome, 245-313, Maximian, Emperor of Rome, approximately 240-310, Constantius I, Emperor of Rome, -306, Galerius, Emperor of Rome, approximately 260-313, Imperialism in art, Animals in art, ankhs, Altered in antiquity, Amon (Egyptian deity), Emperors, Damnatio memoriae, Halo (Art), Victory in art, Deities, Royalty, Art, Ancient--Egypt, Rome--Officials and employees, Offerings in art, Layered histories--material, Egyptian hieroglyphs, Jupiter (Roman deity), Art, Greco-Roman, Decoration and ornament, ceremonial objects, Pharaohs, and Borders, Ornamental (Decorative arts)
East wall of imperial cult chamber after conservation
Location:
Luxor, Egypt
Time Period:
Tetrarchy, Late Roman Period, and New Kingdom
Topic:
Animals in art, Art, Greco-Roman, Soldiers, Victory in art, Borders, Ornamental (Decorative arts), Layered histories--material, Processions in art, Altered in antiquity, Shields in art, and Decoration and ornament
Cultural Object:
Inscriptions, Relief (Art), Temples, Fresco painting, Mural painting and decoration, Inscriptions, Relief (Art), Temples, Fresco painting, Mural painting and decoration, Inscriptions, Relief (Art), Temples, Fresco painting, Mural painting and decoration, Inscriptions, Relief (Art), Temples, Fresco painting, Mural painting and decoration, Inscriptions, Relief (Art), Temples, Fresco painting, Mural painting and decoration, Inscriptions, Relief (Art), Temples, Fresco painting, and Mural painting and decoration
South wall of imperial cult chamber after conservation
Location:
Luxor, Egypt
Time Period:
Tetrarchy, Late Roman Period, and New Kingdom
Topic:
Diocletian, Emperor of Rome, 245-313, Maximian, Emperor of Rome, approximately 240-310, Amenhoptep III, King of Egypt, Constantius I, Emperor of Rome, -306, Galerius, Emperor of Rome, approximately 260-313, Egyptian hieroglyphs, Animals in art, Hathor (Egyptian deity), Jupiter (Roman deity), scepters, Emperors, Decoration and ornament, Victory in art, Deities, Art, Ancient--Egypt, Rome--Officials and employees, Layered histories--material, ceremonial objects, Imperialism in art, Art, Greco-Roman, Altered in antiquity, Damnatio memoriae, Halo (Art), Geometric designs, Borders, Ornamental (Decorative arts), and |Offerings in art
Cultural Object:
Mural painting and decoration, Painting, Columns, Fresco painting, opus sectile (visual works), Relief (Art), Apses (Architecture), Temples, Niches (Architecture), Inscriptions, Doorways, Mural painting and decoration, Painting, Columns, Fresco painting, opus sectile (visual works), Relief (Art), Apses (Architecture), Temples, Niches (Architecture), Inscriptions, Doorways, Mural painting and decoration, Painting, Columns, Fresco painting, opus sectile (visual works), Relief (Art), Apses (Architecture), Temples, Niches (Architecture), Inscriptions, Doorways, Mural painting and decoration, Painting, Columns, Fresco painting, opus sectile (visual works), Relief (Art), Apses (Architecture), Temples, Niches (Architecture), Inscriptions, Doorways, Mural painting and decoration, Painting, Columns, Fresco painting, opus sectile (visual works), Relief (Art), Apses (Architecture), Temples, Niches (Architecture), Inscriptions, Doorways, Mural painting and decoration, Painting, Columns, Fresco painting, opus sectile (visual works), Relief (Art), Apses (Architecture), Temples, Niches (Architecture), Inscriptions, and Doorways
South wall of imperial cult chamber after conservation
Location:
Luxor, Egypt
Time Period:
Tetrarchy, Late Roman Period, and New Kingdom
Topic:
Diocletian, Emperor of Rome, 245-313, Maximian, Emperor of Rome, approximately 240-310, Amenhoptep III, King of Egypt, Constantius I, Emperor of Rome, -306, Galerius, Emperor of Rome, approximately 260-313, Imperialism in art, Animals in art, Jupiter (Roman deity), Art, Greco-Roman, Emperors, Decoration and ornament, Damnatio memoriae, Victory in art, Deities, Rites and ceremonies, Royalty, Art, Ancient--Egypt, Rome--Officials and employees, Offerings in art, Layered histories--material, Egyptian hieroglyphs, Borders, Ornamental, (Decorative arts), Altered in antiquity, ceremonial objects, Halo (Art), Geometric designs, and Pharaohs
General views of imperial cult chamber after conservation
Location:
Luxor, Egypt
Time Period:
Tetrarchy, Late Roman Period, and New Kingdom
Topic:
Diocletian, Emperor of Rome, 245-313, Galerius, Emperor of Rome, approximately 260-313, Egyptian hieroglyphs, Art, Greco-Roman, Emperors, Decoration and ornament, Shields in art, Art, Ancient--Egypt, Rome--Officials and employees, Offerings in art, Layered histories--material, Imperialism in art, and Borders, Ornamental (Decorative arts)
Cultural Object:
Inscriptions, Painting, Columns, Niche (Architecture), Fresco painting, Relief (Art), Apses (Architecture), Temples, opus sectile (visual works), Mural painting and decoration, Inscriptions, Painting, Columns, Niche (Architecture), Fresco painting, Relief (Art), Apses (Architecture), Temples, opus sectile (visual works), Mural painting and decoration, Inscriptions, Painting, Columns, Niche (Architecture), Fresco painting, Relief (Art), Apses (Architecture), Temples, opus sectile (visual works), Mural painting and decoration, Inscriptions, Painting, Columns, Niche (Architecture), Fresco painting, Relief (Art), Apses (Architecture), Temples, opus sectile (visual works), Mural painting and decoration, Inscriptions, Painting, Columns, Niche (Architecture), Fresco painting, Relief (Art), Apses (Architecture), Temples, opus sectile (visual works), Mural painting and decoration, Inscriptions, Painting, Columns, Niche (Architecture), Fresco painting, Relief (Art), Apses (Architecture), Temples, opus sectile (visual works), and Mural painting and decoration
Long Hall Right, Funerary Rites, Fishing and Fowling, and Voyage to Abydos: photographed with raking light
Location:
Thebes, Sheikh Abd el-Qurna, Luxor, Egypt, and Al Uqşur
Time Period:
New Kingdom and 18th Dynasty
Topic:
Overseer and Scribe of Fields of Amun, Overseer and Scribe of the Lord of Two Lands, Damnatio memoriae, ceremonial objects, Rites and ceremonies, Domestic life, Art, Ancient—Egypt, Offerings, Ritual in art, Wildlife—related recreation, Filial piety in art, Borders, Ornamental (Decorative arts), Priests—Egypt, and Lotus in art
Cultural Object:
Friezes, Tombs—Egypt, Mural painting and decoration, Friezes, Tombs—Egypt, Mural painting and decoration, Friezes, Tombs—Egypt, Mural painting and decoration, Friezes, Tombs—Egypt, Mural painting and decoration, Friezes, Tombs—Egypt, Mural painting and decoration, Friezes, Tombs—Egypt, and Mural painting and decoration
Collection:
Conservation and Documentation of the Tomb Chapel of Menna
Thebes, Sheikh Abd el-Qurna, Luxor, Egypt, and Al Uqşur
Time Period:
New Kingdom and 18th Dynasty
Topic:
Overseer and Scribe of Fields of Amun, Overseer and Scribe of the Lord of Two Lands, and Art, Ancient—Egypt
Cultural Object:
Tombs—Egypt, Mural painting and decoration, Tombs—Egypt, Mural painting and decoration, Tombs—Egypt, Mural painting and decoration, Tombs—Egypt, Mural painting and decoration, Tombs—Egypt, Mural painting and decoration, Tombs—Egypt, and Mural painting and decoration
Collection:
Conservation and Documentation of the Tomb Chapel of Menna
Berenice, Queen, consort of Ptolemy III, King of Egypt, Ptolemy III Euergetes, Borders, Ornamental (Decorative arts), Military uniforms in art, Art, Greco-Roman, Maritime, Royalty, and Queens